Super Cannes – phase 2
The last two weeks saw Daedalian’s second phase installation at a large and stunning private residence in the hills of Cannes in Southern France. There was a total of 1.7 tons of glass transported by a team of 4 which included; more frameless laminated fabric doors and screens, mirrors to cover an 11 metre section of wall in the dance studio, floor to ceiling, a bar back and top in coloured kiln formed and glass for extensive works in the spa. The spa included cladding four 3 metre high pool columns, a UV bonded glass cubical and clading the feature wall of the spa. Sadly there are still limited photos as the site still largely without lighting, but a portfolio of the work will be captured once complete. The UK owner who visited site during this phase was so impressed by our work that there is now a thrid phase in discussion with a visit likely in June. Unlike phase one, there was certainly no arctic weather on this trip with the team enjoying lunch pool side overlooking the bay of Cannes and the 1100 mile drive one way, saw the team stopping over in Reims where ther managed to briefly visit the town’s impressive cathedral - volunteers not required for phase three.
The Pines – Sandblast Etched and Laminated Glass Design
Working on private homes can be a uniquely challenging experience. As a glass design firm we often find ourselves in somewhat longer negotiations over the exact composition of the products we supply. If the owner is personally involved in the project, then the quality standards that we routinely meet come into even sharper relief than usual. Of course that level scrutiny is not something we shy away from and is only right, when you consider the intensely personal and private relationships people have with their homes.
We have worked on a wide array of private properties all over the world and the heightened feeling of responsibility you get when interpreting such a personal vision never wavers. Your motivation can go far beyond the need to make the best glass designs, produce a beautiful piece of glass art, or maintain your reputation in a competitive industry. It can take you into a space where it becomes difficult to extract yourself from the feeling of “would I really be happy with this in my own home?” Even if you don’t personally like a design, the need to take it to what might be an unattainable level is ever present.
The following images show one of our most recent private home projects. Unusually, it was local to us and the client had a unique vision of what was needed. We are often proud of our ability to create something that helps invest a space with that intense personal and private beauty that is the hallmark of a great home. Here we can say, with confidence, that we did that.
Thomas Walmsley.
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- The stylised tree motif seen here was prevalent throughout the project.
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- Each panel in this series was hand decorated with glass beads and gold paint
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- Each panel was waterjet cut to ensure a perfect fit in the lamination.
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- The panels featured here are all curved and laminated.
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- All our laminated products are perfectly suited for moisture rich environments.
Chelmsford Cathedral
For today’s blog entry we are taking a short trip back in time and space, to the county of Essex, England and to last year, where we completed a Chapel project in Chelmsford Cathedral. It’s a longer entry than usual, but we hope you enjoy it non-the-less.
Daedalian were contacted in the Autumn of 2008 by local architect Gerald Barrett who, working with the Dean of Chelmsford Cathedral , The Very Reverend Peter Judd, sought Daedalian for their reputation for innovative and contemporary glass design and a long association with religious art of all denominations. The brief was to produce a glass screen to help create one of the Cathedral Chapels into a more secluded area for private prayer, while still maintaining a sense of openness.
St Cedd’s Chapel is where Morning Prayer is said and the Eucharist is celebrated each day. Throughout the day the Chapel is open for private prayer and is unexpectedly placed at the back of the Cathedral. Because of its position it enables people to slip in and out anonymously and is the reason the Chapel is so often used and the candle stand, where people light their candles with their prayers, never goes out.
Dean Judd had always liked the chapel, but felt it could use some improvement. “The Chapel is brilliantly accessible, but has always felt a bit exposed. We thought carefully about how we could make the Chapel feel more enclosed, without making it feel exclusive”
After a period of consultation, wherein Daedalian produced a variety samples to create the desired effect, the popular Chiffon Organic laminated glass design was settled on, the benefit of which was three fold: To achieve a subtle, but definite sense of privacy, decrease sound intrusion from the rest of the Cathedral and to form a sympathetic visual confluence with the existing Guiseppe Lund sculpted bronze railings. Along with fulfilling the the primary criteria, it was also hoped that Daedalian could achieve the project brief with a minimum of mechanical fixings, as the dean and architect had seen done by Daedalian previously, at Great Missenden Church.
To do this, each panel was bolted to the ground, below floor level, with stainless steel clamps; perpendicular fins were bonded to body of the screens, as opposed to using mechanical fixings, to hold the panels together. Daedalian worked closely with DP Squared Structural Engineering to make absolutely certain that the system they devised would give the necessary rigidity and structural stability, while keeping a light and open feel for the overall scheme. To finish, each door was fitted with 350mm long lead crystal pull handles, again helping to keep the amount of metal fixtures and fittings to a minimum.
The project was completed in late 2010 and more than fitted the bill for the congregation of Chelmsford Cathedral, as Dean Judd points out; “The new glass screens with their lines of folded cloth, which mirror the bronze bars, do just what we hoped. They enclose the Chapel and make it feel secure and special, without compromising the sense of openness and accessibility. This is a scheme that has worked out brilliantly. What we set out to do has been achieved and more; a special chapel has been made more so and its ‘presence’ has been enhanced by the beautiful and fitting work done by Daedalian Glass Design.”
Etched Designs: Susan Parker
Drawing on our strong history of collaboration with non-glass artists on bespoke projects, we have extended this relationship to create a new range of standard designs. Working with Yorkshire based Artist and Architect Susan Parker; we have used our design and manufacturing experience to bring her naturalistic style to a versatile glass product. Ideal as screening, windows, or doors these new etched designs have been layered on both sides of the glass to create their multi-tonal, 3 dimensional effects.
As with all our etched, sandblasted designs you can be assured of their long term quality thanks to our use of “Clearshield” low maintenance surface protection, on all our sandblasted products. For more information visit www.ritec.co.uk
Sheer Delight
One of our many laminated glass products, our Sheer Delight range provides a unique alternative to conventional wall panelling. Currently available in Gold, Silver and Bronze; Sheer Delight is a perfect high gloss, luxurious, wall covering for kitchens, bathrooms and, as seen here, public spaces too. The rich colours of the fabrics we use are intensified when paired with the bright reflectivity of mirror, as can be seen here.
The Roman Project – Chester HQ
Chester HQ is a new Office, Hotel and Retail developments adjacent to Chester Racecourse.
Daedalian were commissioned to produce a 50 mm thick Laminated Glass figured of a Roman Lady. The figure was sandblasted and the lamination contains genuine Roman artefacts with in the lamination.
